Buffy the Vampire Slayer: Buffy vs. Dracula (The WB, 26 September 2000, David Solomon)


These reviews reveal plot twists.

Setting: Sunnydale, California, in the year 2000.

Faithful to the novel? This opening episode of Buffy the Vampire Slayer’s fifth season pits our heroine and her friends against Dracula, who’s suddenly arrived in town. It’s a new plot, but there are a lot of echoes of the book. The Count (played by Rudolf Martin) is delivered to his new home in coffins full of dirt. He can transform into wisps of smoke, a wolf and a bat. (When he turns into smoke while Buffy’s trying to stake him, she complains: “That’s cheating!”) Dracula easily bends Xander to his will; Xander thus becomes an equivalent of book character Renfield (even eating insects). Buffy is seduced while in a kind of waking dream and is bitten on the neck. Also, Giles has an encounter with a trio of Dracula’s Brides. The original idea for the episode was for Buffy to fight a master vampire *akin* to Dracula. But then executive producer Joss Whedon pointed out that the character was in the public domain…

Best performance: Nicholas Brendon’s very funny as the enthralled Xander, who flips between bitterly moaning about his lot and being subservient.

Best bit: A lot to chose from – mostly the comedy moments. When Dracula portentously introduces himself, there’s a beat before an excited Buffy says, “Get out!” When Xander meets Dracula he mocks his accent and does an impression of the Count from Sesame Street. He later nonchalantly locks girlfriend Anya in a cupboard. But the highlight is Giles’s reluctance to be ‘saved’ from the sexy Brides: “My shoe! Silly me, I’ll just pop back…”

Review: This is by no means one of the best episodes of Buffy The Vampire Slayer (my favourite TV show, incidentally). I can think of a dozen straightaway that are better, while two online rankings I saw put it 100th and 65th. But it’s a reflection of the show’s high quality that it’s so entertaining. This is witty, playful and inventive stuff, full of character comedy and emotion-driven plotting. Smartly, each of the regulars has a different reaction to Dracula turning up: Buffy is excited by the danger, Willow thinks he’s sexy, Xander feels jealous, Giles feels left out, Riley feels threatened, and so on. The episode is having great postmodern fun with the clichés of the myth, but it’s far from just a spoof. Superb.

Eight big, honking castles out of 10

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