Dracula: Dead and Loving It (1995, Mel Brooks)


An occasional series where I watch and review works inspired by Bram Stoker’s 1897 novel Dracula…

These reviews reveal plot twists.

Setting? It begins in Transylvania, 1893. Dracula arrives in London soon before 30 November (which is said to be a Wednesday – it was actually a Thursday). The action then possibly moves to Whitby.

Faithful to the novel? Kind of. It’s Thomas Renfield (Peter MacNicol) rather than Jonathan Harker who travels to Castle Dracula, where he meets the Count (Leslie Nielson), who wants to buy Carfax Abbey in the UK. There are two busty Brides in the castle (Darla Haun and Karen Roe), who try it on with Renfield. Dracula hypnotises him and he becomes the vampire’s slave. The two of them travel to England on a ship called the Demeter. Dracula seeks out Dr Seward (Harvey Korman from The Star Wars Holiday Special), who runs the sanatorium next door to Carfax (both buildings are said to be in Whitby, despite the action seeming to take place in London). He also meets Seward’s assistant, Jonathan Harker (Steven Weber), and Seward’s daughters, Lucy (Lysette Anthony) and Mina (Amy Yasbeck). Dracula seduces Lucy; when the others notice her bite marks, they call in Professor Abraham Van Helsing (Mel Brooks) of the London Hospital. But they can’t stop Dracula killing her, so when she rises from the grave, Jonathan has to stake her. The Count then targets Mina, so they men hunt him down. He turns in to a bat (with Leslie Nielson’s head!) but is killed when idiotic sidekick Renfield accidentally shines daylight on him.

Best performance: Lysette Anthony is the only one playing it anywhere near ‘real’.

Best moment: The key story beat from the book where Dracula’s houseguest (Renfield here, Harker in the novel) innocuously cuts himself is given a silly twist: despite being a paper cut, the blood *gushes* all over the place. The same joke is repeated later when Harker stakes Lucy – only this time there’s even more blood. Buckets of the stuff.

Review: Very puerile stuff. It’s really badly directed, mostly badly played, and gags fall flat all over the place. There are lots of Americans doing awful British accents. It’s limp, tired and a waste of time. Toothless.

Three closed windows out of 10

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