Omen IV: The Awakening (Fox, 20 May 1991, Jorge Montesi and Dominque Othenin-Girard)

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Spoiler warning: these reviews reveal plot twists.

US Congressman Gene York (Michael Woods) and wife Karen (Faye Grant) adopt a baby girl from an orphanage, but as Delia (Asia Vieria) grows up a number of strange deaths begin to occur…

Best performance: Michael Lerner shows up in the second half as a private eye called Earl Knight. The actor refers to his character as a ‘low-rent Columbo’ on the DVD extras, and that’s not far off. He’s fun and has a lot more life to him than anyone else. That is, until…

Best death: Moments after posting some vital information to Karen, Earl is looking in some shop windows. He sees a toy crane, then a small model of the Nativity scene. He has a vision of the baby Jesus turning evil and starts to panic. In a cut, it’s suddenly raining and a dazed Earl stumbles through the town. He then has a vision of macabre, ghostly people singing the incidental music to him. Meanwhile, a crane on a nearby construction site swings a wrecking ball into action. Earl is clutching his heart and sweating, but comes to a rest outside the building site. He begins to calm down. However, in the background the enormous crane is silently turning towards him. The wrecking ball gains momentum, smashes through an office, and – in a super-slo-mo POV shot – heads directly for Earl…

Pilot: Fox had another attempt at The Omen on TV in 1995. A one-off episode staring William Sadler, Brett Cullen and Chelsea Fields was broadcast on 8 September. Richard Donner, the director of the original movie, put his name to it as executive producer – but quickly denounced the episode as garbage. A series didn’t follow.

Review: “I’ve got an idea,” some executive at the Fox network must have said. “Let’s take the Omen franchise and turn it into a lacklustre TV movie!” Almost everything in this film reeks of daytime-soap dreariness. The story heads down a predictable road – Delia starts to act oddly, threats to her are killed off, we find out she’s the daughter of Damien Thorn – and it’s very hard to care about anything that happens. It doesn’t help that the cast is largely bland and the film was clearly shot on a budget. (Despite the story being set in Virginia, it was filmed in Vancouver – so even though the events take place over a long period, it’s *always* wintery!) The script also references a large number of non-Catholic beliefs – Native American culture, tarot, auras, healing crystals, general New Age mysticism, cults – but never uses them for anything interesting. This general lack of attack might be because of a troubled shoot: the producer wasn’t happy with the first director so replaced him halfway through. In the film’s favour, the switcheroo plot twist – that Delia is actually a bodyguard and the Antichrist is Karen’s newborn son – is inventive and works well. But overall this is rotten.

Three snakes out of 10

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