Spoiler warning: these reviews reveal plot twists.
October 2004. A satellite detects a heat bloom coming from underneath an Antarctic island, so a team of scientists and explorers head there to investigate…
The cast: The lead character, Alexa Woods, is played by Sanaa Lathan. She’s not terrible exactly, but doesn’t have much to work with. Other members of the team vary from the adequate (Colin Salmon, Ewen Bremmer) to the downright awful (Raoul Bova). Lance Henriksen appears in his third Alien film, playing his third character. He’s now millionaire businessman Charles Bishop Weyland (the ‘pioneer of modern robotics’), which is a multi-stranded reference. His company will later form part of Weyland-Yutani, the conglomerate from the 1979-1997 Alien films, while his middle name nods to the android Bishop from Aliens. Presumably that robot was based on this guy’s likeness. (Quite who Henriksen was meant to be playing in Alien³, therefore, is another matter.) In one scene he fidgets with a knife: another echo of the android.
The best bit: All the stuff on the Antarctic surface looks great, especially the terrific set of the abandoned whaling station. The weather conditions, the dramatic lighting, the sound design – they all help tremendously.
Crossover: Of course, the whole project is a crossover based on a comic-book series that began in 1990. As an in-joke, one scene has a previous ‘franchise mash-up’ playing on a TV: 1943’s Frankenstein Meets The Wolf Man. Arnold Schwarzenegger was due to cameo as his Predator character, Dutch Schaeffer. However, the actor dropped out when he won a recall election in his bid to be Governor of California.
Alternative version: An extended version is available on the DVD. The only addition that improves the story is a short prologue set in 1904 at the Razorpoint whaling station.
Review: A horror movie lives or dies on whether we care about the characters. Think of the first Alien movie and you think of Ripley and Dallas and Kane. Think of its sequel and you think of Hicks and Hudson and Newt. Here, sadly, the people are all bland and forgettable. The opening third features several moments where a character is introduced or focused on – yet it’s all so bloody mechanical. Ewan Bremmer’s Miller has children back home; therefore, says the film, we should like him. It’s not enough. It’s just people trotting out their quirk or showing off a speciality. The writing *never* feels organic or fresh. After an opening that’s brisk so at least keeps your interest, the team find a pyramid under the ice. They explore, deducing centuries of back-story and deciphering ancient hieroglyphics with ease. (Channel 4’s Time Team could have done with these people – they took three days for each dig and sometimes found bugger all!) However, once the monsters show up, the film becomes very dull very quickly. On the upside, clearly some thought has gone into a way of bringing the two species together. The solution – that predators have visited earth before and use xenomorphs for sport – uses the rituals of hunting from Predator and the horrific life cycle from Alien. An inventive idea. The story also takes an interesting turn for the climax when Alexa forms a truce with the lead predator. And on a technical level the film is perfectly accomplished. As a throwaway B-movie, it works fine. But it’s just not in the same league as its antecedents.
Five Pepsi bottle-tops out of 10
Next time: Even more aliens versus predators!