Spoiler warning: these reviews reveal plot twists.
Written by Doug Naylor (all) and Paul Alexander (episodes 5 & 7). Directed by Ed Bye. Broadcast on BBC2.
Regulars: Lister, the Cat, Kryten and Kochanski are carried over from the previous series – in fact, the story picks up immediately after that batch of episodes ended. Holly is back full-time (played by Norman Lovett). And more importantly, Rimmer’s returned! Chris Barrie enjoyed his contribution to series seven more than he’d predicted, so reversed his decision to quit Red Dwarf. (After all that fuss he missed a total of four episodes.) However, this isn’t the Rimmer from the first 38 episodes of the show. This character has been artificially resurrected by tiny robots, along with the ship and its entire crew. So not only does he lack the memories and experiences of old episodes but he behaves how Rimmer was in the early days. (Well, to a point. He now *gets on* with Lister. They buddy around like old friends! Oh, and this Arnold’s not a hologram, of course.) And finally, we have a new regular character: Mac McDonald had played Captain Hollister in three 1988 episodes, and is now in the show every week.
Episode 1: Back in the Red: Part One (18 February 1999): Red Dwarf has been rebuilt by tiny robots and its crew resurrected… Oh, this is tiresome. Admittedly there’s a lovely opening – a deliberately old-school scene between Lister and Rimmer – but we then cut to three days earlier and just get clunky plotting and crass jokes.
Observations: There’s a scene in the bunkroom from series one and two, the set having been specially recreated. Lister’s old pals Selby and Chen – last seen in series two – have inconsequential cameos. It’s not explained why the nanobots didn’t resurrect Kochanski, who originally died along with everyone else of course. Rimmer finds the ‘positive viruses’ from series five’s Quarantine, which then become overused storytelling shortcuts.
Best gag: The Cat’s heartbeat and pulse form an infectious Cuban-flavoured dance rhythm.
Episode 2: Back in the Red: Part Two (25 February 1999): Put on trial for crimes against the Space Corps, our heroes are surreptitiously given hallucinogenic drugs so the captain can see what they do when the think they’re escaping… It was a chore watching this one. And just when you think it can’t get worse, the climax is more thunderingly awful than Red Dwarf had ever been before. In need of a disguise, Lister, the Cat and Kochanski use mop heads and false teeth to dress up as ‘the Dibbley family’ – yet another reference, of course, to Duane Dibbley from series five. At least some people are enjoying the gag: the studio audience burst into joyous applause and yelps (earlier on, they’d also applauded a long, tedious scene between Hollister and Rimmer). But it then gets even more depressing. When we see the characters in disguise, they walk down a corridor in slow motion to the sound of the George Baker Selection’s Little Green Bag. It’s not even a topical gag: Reservoir Dogs was seven years old by this point. Horrendous.
Observations: Captain Hollister records a log entry, which acts as a recap of last week’s events. Geoffrey Beevers plays a doctor. Robert Llewellyn hams it up something rotten as an AI computer (around this era it often seems like Llewellyn thinks he’s in a show for five-year-olds).
Best gag: Affected by the sexual-magnetism virus Lister has taken, an aroused Kochanski starts snogging him. Then the virus wears off and she comes to her senses. “I don’t know what got into me,” she says. “Well, nothing, sadly,” laments Lister.
Episode 3: Back in the Red: Part Three (4 March 1999): Oh, Christ, it’s still going on. Continuing the hallucinogenic fantasy started last week, the characters think they’re escaping Red Dwarf – but their actions are being observed by the captain… Another terrible episode.
Observations: Two versions of a Red Dwarf flight controller are seen: the fantasy version is played by the gorgeous Yasmin Bannerman; the real version is played by the roly-poly, middle-aged Jeillo Edwards. The Cat does a dance routine for the former, which involves CGI space shuttles copying his moves (incidentally, this is our first sight of Blue Midget since series three). When they exit the drug-induced fantasy, Lister, the Cat, Kryten and Kochanski find themselves as stop-motion plasticine puppets on an icy landscape – I consider myself an averagely intelligent guy and I genuinely have no idea what’s happening in this scene. At the end of the episode, Graham McTavish – later one of the dwarves in the Hobbit movies – debuts as the prison warden Ackerman.
Best gag: The Cat claims to be so gorgeous that “there’s a six-month waiting list for birds to suddenly appear every time I am near.”
Episode 4: Cassandra (11 March 1999): Now serving a two-year stretch in the brig, Lister volunteers the gang for the Canaries, an advance team sent on dangerous salvage missions. On their first trip, they encounter a computer that can predict the future… This episode isn’t especially majestic or anything, but after the previous three-parter it feels like a genuine treat. The hit-rate of gags is much higher, while there’s a story worth following. It has the feel of an episode from, say, series three to five: a sci-fi spoof with lots of comedy. Enjoyable stuff.
Observations: Cassandra is played by Geraldine McEwan. Jake Wood debuts as semi-regular character Kill Crazy, who’s one of the other prisoners. Ackerman appears again.
Best gag: Rimmer’s been told by Cassandra that he’s going to die while having sex with Kochanski. “So let me just repeat what I think you’re saying,” he gleefully replies. “Arnold – that’s me – and Kochanski – that’s the woman, the really attractive one you saw me with earlier – me and her are in bed, giving it rizz…”
Episode 5: Krytie TV (18 March 1999): Kryten is being held in the women’s prison, so male inmates manipulate him into filming his colleagues in the showers… Another not-bad episode. It has a funny subplot about an appeal process that comes with a woofer of a punchline.
Observations: Kill Crazy and Ackerman appear again.
Best gag: Lister tells Kochanski about the live feed from the women’s shower. “I saw the whole thing,” he says. “All three terrible hours of it.”
Episode 6: Pete: Part One (25 March 1999): As punishment for pulling a prank on the warden, the gang have to play a basketball game, then Lister and Rimmer have to peel a lot of potatoes. Meanwhile, the Cat, Kryten and Kochanski find a device that can freeze or speed up time… This feels like a bubble-and-squeak episode, with disparate ideas and scenes mashed together in the hope they’ll make something worthwhile. They don’t. It’s always dangerous to assume motives, but were eyes taken off the ball behind the scenes? Director Ed Bye certainly lets through some pretty sloppily staged moments. It was depressing watching this mess.
Observations: Ackerman appears again. There’s a running joke about Lister and Rimmer being frog-marched into the captain’s office, with the same camera moves each time. Ricky Grover plays a prisoner. The episode ends on a cliffhanger: a dinosaur has been created and is loose on the ship.
Best gag: Lister taps out a long Morse-code message on his cell’s pipes, then gets a reply from a nearby robot; they exchange taps for ages, then Lister says, “Damn… Wrong number.”
Episode 7: Pete: Part Two (1 April 1999): A dinosaur is on the loose, but has swallowed the gizmo that would turn it back into a sparrow, so the gang feed it roughage… This episode is so dreadful it beggars belief. There’s a sketch-like scene with Kochanski and Kryten where his artificial penis has escaped and is running around like a mouse. When it later shows up under the Cat’s T-shirt there’s a half-arsed attempt at spoofing the John Hurt Alien scene. Give me strength.
Observations: There’s a quick recap of the last episode. The running (limping, more like) joke of Lister and Rimmer being taken to see the captain continues. Kill Crazy appears again.
Best gag: Rimmer slags off the captain while Lister drops heavy hints that Hollister is stood behind him. (Yes, the pickings are that slim.)
Episode 8: Only the Good… (5 April 1999): Characters pull pranks on each other, then for tedious and perfunctory sci-fi reasons Rimmer has to go into a ‘mirror universe’… *Ghastly*.
Observations: This was the last episode of Red Dwarf for 10 years, and the final one ever to be shown on BBC2. Tony Slattery voices a vending machine. Danny John-Jules and Chloë Annett play ‘mirror’ equivalents of their characters. The episode ends on a cliffhanger.
Best gag: Kryten has been tricked by Lister into giving Kochanski a tampon as a present. “I hope I chose the right size!”
Best episode: Cassandra. Worst episode: Only The Good….
Alternative versions: The multi-episode stories, Back in the Red and Pete, are available on the DVD as omnibus edits. The first one has a few deleted gags added back in.
Review: Change is good. This show has revelled in ditching formats, switching characters around, and having regular boosts of new energy. For 1999, we’re back to the episodes being recorded with a live audience and having a videotape look. Rimmer is back to how he used to be in the early days. In scenes set in Lister and Rimmer’s cell, we’re back to dialogue-based character comedy… Sadly, though, this is a pretty disastrous set of episodes. There are problems everywhere you look. The show’s defining element, that these characters are stranded in deep space, has been thrown away. The comedy has taken a turn for the childish – lots of slapstick, lots of toilet humour – while Kochanski, Kryten, the Cat and especially Holly all get squeezed out to varying degrees. There are some really dodgy actors in minor roles. The CGI special-effects shots are rubbish. And basing a two-part story on a dinosaur running rampant isn’t the greatest idea in the world when you have a sitcom budget. An even bigger issue is an ugly thread of sexism that weaves through the whole series. Kryten is classified as a woman because he doesn’t have a penis – that’s laughing at someone because they’re different from a perceived ‘norm’, that is. Even in 1999 it felt ancient. Kochanski, a successful space-ship officer, also asks if a time-manipulating device could give her a boob job. (Just generally, Kochanski is a non-entity in this series. Chloë Annett often has nothing to play.) The sexual-magnetism virus is just as bad. The potion is only used by men and it only attracts women… except in one scene set in the prison where the punchline is essentially ‘Bum rape is funny, isn’t it?’ This was the last series for a very long time. It needed a break. If early Red Dwarf episodes showed a youthful exuberance, and the time of, say, series three had the confidence of being in your prime, this is a midlife crisis. A couple of decent episodes aside, series eight is tiresome, boring-uncle-at-a-wedding stuff.
Four bottles of hooch out of 10