An occasional series where I write about works inspired by Bram Stoker’s 1897 novel Dracula…
These reviews reveal plot twists.
Setting: A prologue is set in 1905, then the bulk of the film takes place a year later. The location is Hammer’s default, mid-European fantasyland. A lot of the story takes place in a village called Keinenberg.
Faithful to the novel? This is the fourth entry in Hammer Films’ Dracula series. At the start, Count Dracula is terrorising a village, but we then cut to a year later – ie, after the events of Dracula: Prince of Darkness (1966). The count is dead but the villagers still fear him – so a visiting monsignor called Ernest Mueller (Rupert Davies) attempts to exorcise the abandoned castle. However, during the ceremony the local priest (Ewan Hooper) accidentally resurrects the vampire (d’oh!) when his blood drips into the vampire’s icy-moat grave. (During this scene, Dracula sees his own reflection in the water.) Unaware of any trouble, Mueller returns home. Dracula (Christopher Lee) follows, wanting revenge for what’s happened to his castle, and targets Mueller’s niece Maria (Veronica Carlson). Maria’s mother (Marion Mathie) and fun-loving boyfriend (Barry Andrews) get caught up in the mayhem, as does local barmaid Zena (Barbara Ewing).
Best performance: Barbara Ewing as the flirty Zena.
Best bit: The prologue shows a young man discovering a corpse in the church: a woman hanging upside down in the bell tower.
Review: This film is hamstrung by all the usual Hammer limitations: the cast is tiny, we get very used to the same few sets, the locations are generic, and there’s some risible day-for-night shooting. But in a couple of ways it’s an interesting entry in the series. The nominal hero of the story, Paul, is an atheist. Admittedly, this detail doesn’t really go anywhere, but it’s a nice change from the norm. And Freddie Francis (an Oscar-winning cinematographer as well as this film’s director) uses coloured filters on the edges of shots associated with Dracula. This gives them a strange, stained-glass-window quality, which is both unusual and effective.
Five rooftops out of 10