Cover: It makes my eyes hurt.
Best track: I’m Outta Time was written by Liam Gallagher and is another vehicle for his John Lennon obsession. The piano phrases are similar to Lennon’s 1971 song Jealous Guy, while John himself can be heard towards the end via a snatch of a 1980 interview. But whatever the provenance, the resulting song is enjoyable. It has a resonant, anchoring bassline, a plaintive vocal melody, and a nice mid-tempo rhythm. It was the LP’s second single.
* The Turning (written by Noel Gallagher) is initially based on a hip drum pattern and soft organ chords, and it’s a nice laid-back vibe. The track then turns more rocky for the chorus and guitar solo.
* The Shock of the Lightning – which was the album’s opening single – was both written and recorded very quickly. Noel has said that the finished track is essentially a demo that was good enough to release. It’s an urgent and head-nod-inducing rocker.
* The pleasingly odd (Get Off Your) High Horse Lady has a seesaw rhythm, relentless acoustic strums, handclaps and a distorted lead vocal from Noel, who wrote the song. (It also has a boring 30-second coda of footsteps that we could live without.)
* Falling Down (written and sung by Noel) was this album’s third single and therefore the band’s last ever before splitting suddenly in August 2009. Like a lot of this album, it has a grungy feel with a prominent drum pattern.
* Soldier On is another down-and-dirty production, with a swampy-sounding bass guitar. This is the last track on the last Oasis album and was written by Liam.
Worst track: Ain’t Got Nothing is a rambling, uncontrolled and irritating track written by Liam.
Weirdest lyric: The first song on the album, Bag It Up, starts with this piece of nonsense: “Gold and silver and sunshine is rising up/Pour yourself another cup of Lady Grey/Take my hand in the meantime, when you’ve had enough/You’ll find me on the end of a runway, babe.”
Best video: I’m Outta Time’s promo is in black and white, and sees Liam hanging out with foxes and owls.
Review: Before starting work on Dig Out Your Soul, Noel told a reporter that he wanted to make ‘an absolutely fucking colossal album’ – and this does fit the bill. It’s dominated by a huge, heavy, distorted sound. But because of this it lacks variety – even after several listens, many songs blur into one.
Seven days turning to night out of 10