Spoiler warning: these reviews reveal plot twists.
A teenage boy moves to LA but is persecuted by some local bullies. So with the help of a mentor figure, he learns karate to defend himself…
Cast and story:
* The lead character is high-school student Daniel LaRusso (Ralph Macchio). At the beginning of the story he moves with his mother (Randee Heller) from New Jersey to California.
* Mother and son have a relaxed, easy-going relationship – she’s upbeat and can-do and they feel like pals as much as a family. The longer the film goes on, however, the more Lucille fades into the background. Daniel’s new parental figure becomes local handyman Mr Miyagi (Pat Morita).
* He’s an elderly bloke from Okinawa who has a dry sense of humour and a strong sense of honour, but also a tragic past. Forty years earlier, his wife and son died while he was away fighting in the war. So he’s lost a son and Daniel’s dad isn’t even mentioned – the two characters soon develop a bond, especially after Mr M saves Daniel from a beating…
* On his second day in LA, Daniel hung out with some new friends. He flirted with cute rich girl Ali Mills (an adorable Elisabeth Shue) but also angered her ex-boyfriend Johnny Lawrence (William Zabka).
* The sneering, aggressive Johnny and his gang of sycophantic mates arrive on the scene like the villains from a biker movie. They take against Daniel and bully him using their karate skills, so Mr M goes to see their sensei: Vietnam vet John Kreese (Martin Kove), a man so damaged by the war that he now finds pleasure in schooling teenage boys in how to beat up other teenage boys. Mr Miyagi strikes a deal: the gang will leave Daniel alone until he competes in an upcoming karate tournament.
* However, this gives Daniel just six weeks to train. (He’s also still trying to woo Ali, so it’s a busy time for the lad.) At first, Mr Miyagi’s techniques do not go down well. He forces Daniel to do some boring chores (cleaning his cars, painting his house), but then Dan realises that he’s been subliminally learning basic karate moves as he works.
* Full of this muscle memory, he then takes part in the tournament. Ali, who he’s now dating, and his mum are there for support. Despite some underhand tactics from an opponent he reaches the final, where – wouldn’t you know it? – he faces Johnny…
* Accompanied by rousing incidental music, Daniel wins the bout by using an unconventional ‘crane kick’ – an up-and-down kick to the face delivered while in mid-air – which he’d seen Mr Miyagi practise earlier in the film.
Review: As many people have pointed out, in some ways this movie is a redo of 1976’s Rocky (which was also directed by John G Avildsen). It’s a predictable, underdog story of a hero having to fight more powerful opponents with the help of a seen-it-all-before, older mentor. There’s even a stirring score from Bill Conti (Rocky, For Your Eyes Only). But that doesn’t mean it’s not a very enjoyable experience. Weaved in amongst the by-the-numbers, don’t-look-at-it-too-closely plotline are many details and delights – not least some strong performances. Macchio is very fine indeed and appropriately full of attitude and defiance despite looking about 12 years old. Shue and Heller are likeable presences, while Kove uses his three scenes to create one of the most memorable bad guys in 80s genre cinema. But the star of the show is Pat Morita. To some viewers in 1984 he would have been Arnold from the sitcom Happy Days; to others he was a stand-up comedian. Ever after, he was Mr Miyagi. Despite being just 51 during filming, he gives the character an ancient-feeling soul and a huge gravitas – as well as mixing in plenty of twinkle-eyed humour. The character is a superhero, rather than someone who comes from the real world. He can beat up a gang of teenagers and he can magically heal Daniel’s wounds. Away from Mr Miyagi, the movie feels part of the Brat Pack/John Hughes/teen movie cycle that was just getting underway in 1984. It’s set in and around an American high school (even featuring a dance held in the gymnasium); the soundtrack is filled with contemporary pop music (Bananarama!); and there’s a recurring theme of social class (Daniel is disliked because he’s poor; a person’s worth is dictated by the cost of his or her car). But there’s also something Spielbergian about it, especially in the scenes set at night which have wafts of smoke creating a spooky atmosphere and a young boy riding a BMX. Directed by Avildsen with a confident yet unfussy style – dialogue scenes often play out in uninterrupted two-shots – this is a very effective and amiable movie.
Nine Under-18 All-Valley Karate Championships out of 10