Spoiler warning: these reviews reveal plot twists.
The Liberator crew head for the planet Goth, looking for information that will lead to the secretive Star One base. But Travis and Servalan have beaten them there…
Series B, episode 12. Written by: Allan Prior. Directed by: Derek Martinus. Originally broadcast: 27 March 1979, BBC1.
Regulars (with running total of appearances):
* Vila (25) accompanies Blake and Jenna on a mission to Goth, a planet with a thick, toxic atmosphere and medieval-level people living underground. He and Jenna are soon captured by the locals and taken to see the chief, who’s a bombastic, arrogant man called Gola. Vila uses close-hand magic tricks to appease Gola’s aggression, but this enrages the official court Fool. (Demarcation! Everyone out!)
* Blake (25) has come to Goth to find out what happened to former Federation surgeon Lurgen, a man who knew the location of the all-important Star One installation. His digital ‘brain print’ – or maybe his actual brain – is now in the possession of someone called the Keeper. But Blake doesn’t know who that is. On Goth, Blake’s friends are captured by the natives then he bumps into the chief’s brother, Ron. With Ron’s help, Blake gains access to the chief’s tent but eventually discovers that the Keeper is not the chief, nor Ron, nor their soothsayer sister… It’s their dad, a decrepit old man Blake had earlier seen in some cells. In the meantime, the brain-print has been stolen by Travis. But – and how’s this for a spot of luck? – the chief’s Fool also knows the location of Star One.
* Avon (24) points out that, instead of destroying Star One, the Liberator crew could take it over and run it themselves. Blake says something about power corrupting. Avon then stays on the ship while Blake, Jenna and Vila are on Goth. On two separate occasions he sees Federation ships nearby – he destroys the first, assuming Travis is on board, then assumes Servalan is on the second. Er, Avon… What’s that saying about never assuming things?
* Jenna (25) reminds Blake (and us) that Travis will be looking for the brain-print too. Down on Goth, she’s caught and tied up by the locals. But then Gola takes a shine to her (in that way that primitive, tribal chieftains always do in stories when they meet an attractive blonde woman), so installs her as his consort. He also wants to ‘pair bond’ with her to produce a son. Jenna plays along as a chance to search for the brain-print and soon realises that both Gola and his sister are wearing amulets that could contain the information.
* It’s not a great week for dogsbody Cally (22). She operates the teleport, pilots the Liberator, fetches Blake a glass of water, defers to Avon…
* Zen (21) reports that some Federation pursuit ships are nearby. That’s all he seems to do some episodes.
* Travis (12) wasn’t on the ship that Avon attacked – he had stayed down on the planet, having arrived before the Liberator. Like the others, he’s searching for Lurgen’s brain-print. But then he vanishes from the story after just a couple of scenes. We later learn he found the print and scarpered.
* Servalan (11) is *also* on Goth, though spends most of her time lazing around eating grapes. She and Travis have reached an uneasy truce, then Travis pitches a new idea: why don’t they seize control of Star One and command the galaxy together? He next borrows her ship so he can send a message to the Federation. At least, that’s what he tells Servalan…
Best bit: The first and last scenes of the episode are both nicely directed in single, uninterrupted takes. We start with an 88-second shot featuring all five members of the Liberator crew moving choreographically in and out of frame as they discuss the plot. Then the episode concludes with a simpler but still effective 16-second shot as the same characters return to the flight deck and set course for Star One…
Worst bit: The OTT, panto performance from Bruce Purchase as Gola.
Review: Notwithstanding the fun shots mentioned in ‘Best bit’ above, The Keeper is a badly staged episode of television. At several points, important pieces of storytelling are fumbled. For example, we’re seemingly shown Travis being destroyed… but then there he is in a later scene, with no comment or focus or attention. Similarly, Jenna’s realisation that Servalan is on Goth – a rather big piece of information – is simply skipped over. Less vitally, there are also scene transitions that break the ‘law of re-entry’, the theatrical convention that says a character can’t appear in consecutive scenes without some time ‘off stage’. The script is no masterpiece, admittedly, but it’s not being given a chance. In its favour, the episode is a rare chance for Jenna to drive some plot and it’s also another example of how well Blake’s 7’s serial format works.
Five torches (I don’t like the dark!) out of 10
Next episode: Star One