Spoiler warning: these reviews reveal plot twists.
The Liberator is attacked and its crew dispersed. Avon finds himself stranded on a planet where he encounters some fellow rebels, some aggressive locals, and Servalan…
Series C, episode 1. Written by: Terry Nation. Directed by: Vere Lorrimer. Originally broadcast: 7 January 1980, BBC1.
Regulars (with running total of appearances):
* As the third season gets underway, Zen (23) reports that the alien attack force seen at the end of season two have destroyed the Federation base Star One. He also urges the crew of the Liberator to abandon their damaged ship. Later, while off-ship, Avon contacts Zen and the computer tells him that Blake is uninjured but his location is unknown, while Jenna is aboard a hospital ship.
* Cally (24) and Vila (27) feature in the early scenes aboard the chaotic Liberator as the ship comes under attack from the aliens. Cally gets dialogue to explain why Blake and Jenna aren’t in this episode – saying they’ve decided to remain on the flight deck – while Vila is now the last remaining character who’s been in every episode of Blake’s 7.
* Avon (26) is knocked unconscious aboard the Liberator, so Cally and Vila bundle him into a Star Wars-style escape pod and activate it. He crash lands on a nearby planet called Sarran. He’s challenged by some natives – the kind of vaguely Anglo-Saxon/Viking-ish locals that Terry Nation seemed to like so much – but is saved by a young woman called Dayna. The pair then form a shaky alliance with Servalan, who has also been stranded on Sarran. Dayna takes them to her home (a space craft submerged under the sea) and introduces them to her father and sister. Servalan then offers Avon a deal: with the Liberator and Orac at their disposal, and the Federation in tatters after the loss of Star One, they could build a new empire. Avon wisely deduces that she’d be bound to double-cross him. So when the repaired Liberator arrives in Sarran’s orbit, Avon and Danya teleport aboard, leaving Servalan behind. But there’s a shock in store: the ship has been taken over by a Federation officer…
* Orac (12) is also loaded into Avon’s escape capsule. He’s later able to keep Avon apprised of the Liberator’s condition.
* Dayna Mellanby (1) was born on Earth. Her father is a weapons developer called Hal, who has long been on the run from the authorities. She’s a smart and capable young woman who enjoys using basic weapons like knives and bows and arrows – actually, there’s more than a hint that she’s sexually excited by the danger they provide – but also has a skill at building complex guns. When she rescues Avon and takes him to the safety of a cave, she kisses him – purely out of curiosity. Later, her father is killed by Servalan so she vows revenge, but Avon talks her out of killing the Supreme Commander because she’s hidden the vital Orac. After her sister is also murdered (talk about a bad day…), Dayna joins Avon when he returns to the Liberator… Dayna is played by Josette Simon, who was only about 20 but gives the character confidence and energy.
* Servalan (13) soon stumbles across Avon when she ends up on Sarran after the space battle above. (He isn’t surprised to see her: after all, the chances of them bumping into each other are so remote that it was bound to happen.) She doesn’t initially remember who Hal Mellanby is, but subtly grills his daughter for information. This happens during a scene where the two girls chat about fashion and Dayna gets changed behind a screen with her silhouette cast upon it. After she remembers who Mellanby is, Servalan kills him and steals Orac. She’s soon captured by the plot-device locals, but Avon and Dayna rescue her and force her to reveal where she’s hidden Orac. She’s then left behind on Sarran…
* When Avon and Daya arrive on the Liberator, they’re confronted by a Federation officer (1) who tells them the ship is now his… Actor Steven Pacey gets one line of dialogue in the episode’s final scene.
Best bit: For two seasons Servalan has been a one-note panto villain. Admittedly, that one note entertains a lot of people, but it’s hardly been dynamic storytelling. Aftermath, however, adds a bit of drama by giving her some concrete obstacles. Shorn of her power, her resources, her back-up and her underlings, she now has to be *an actual character*, rather than someone who just makes dry quips with a withering look in her eye. Actually, coupled with the debut of the entertaining Dayna, it feels like a feminist has had a word in Terry Nation’s shell-like between seasons.
Worst bit: Two Federation soldiers are introduced into the story *solely* to give us some badly written, badly played and badly directed exposition about the massive space battle. They’re then promptly killed off.
Review: Blake’s 7 without Blake. Or Jenna. In fact, given that Gan and Travis were killed off in season two, we’ve now lost half of the human regulars introduced in the first season. So this episode is doing some very specific things in order to refurbish the format. Most obviously, Paul Darrow is taking centre stage. Avon is now the de facto lead, the character who drives the story and who we identify with. (This is a season opener and, significantly, Vila and Cally barely feature.) As mentioned above, Aftermath also works to adapt Servalan into someone more interesting and introduces two new regular characters. It’s admirable that it also manages to be a fun, enjoyable story in its own right. Well, mostly. The guest cast are quite variable. (Cy Grant as Hal and an overacting Alan Lake as the native chieftain are especially poor.)
Eight usual punishments for boarding a Federation ship without authority out of 10
Next episode: Powerplay