Spoiler warning: these reviews reveal plot twists.
Avon is on the hunt for the man who tortured and killed his beloved Anna…
Series C, episode 8. Written by: Chris Boucher. Directed by: Fiona Cumming. Originally broadcast: 25 February 1980, BBC1.
Regulars (with running total of appearances):
* Avon (33) is in a prison cell, looking tired and dishevelled, as the episode begins. He’s clearly been through several days of shit. A new interrogator called Shrinker shows up, and Avon says he’s been holding out until he arrives. Tarrant and Dayna then teleport into the cell and it becomes clear that Avon allowed himself to be captured so he could get close to Shrinker. Now they’ve identified the prick, Avon, Tarrant and Dayna take him back to the Liberator as their prisoner. After Avon has freshened up, he then teleports with the nervous Shrinker to a cave, where he intimdates him. You see, years before, the love of Avon’s life – Anna Grant – was captured by Federation forces, then tortured and killed by interrogator Shrinker. (We viewers, however, by now know different: Avon’s scenes are intercut with sequences showing Anna alive and well and leading a rebellion back on Earth.) After Shrinker admits that he didn’t kill Anna and says it was actually an agent called Bartholomew, who was planted near Avon to spy on him, Avon leaves Shrinker to die in the enclosed cave. His only clue now is that Bartholomew is somehow connected to one of Servalan’s advisors, so the Liberator sets course for Earth… At Servalan’s presidential palace, our heroes find a revolt underway and Servalan chained to a wall in the cellar. She says she’ll tell Avon everything if he releases her, but then Anna walks in. And the penny drops… Anna *is* Bartholomew. She was spying on Avon. She faked her death. When she reaches for a gun, Avon instinctively shoots and kills her. (By the way, isn’t Anna a wonderfully palindromic name for a two-faced character? I hope that was deliberate.)
* As mentioned, Tarrant (8) and Dayna (8) come to Avon’s aid in the prison cell: the signal that he’s ready to be rescued is his homing device being switched off. When the trio return to the Liberator, Vila (34) thoughtfully gives Avon a drink – a nice, understated gesture. Cally (31), however, objects to how roughly the others are treating Shrinker. Later, his four colleagues insist on helping Avon sneak into Servalan’s mansion.
* Servalan (18) is hosting a bigwig conference at her presidential palace, which has been expensively recreated to appear like a pre-atomic country house. But then a small group of rebels outfox her lacklustre security forces and storm the grounds…
* Orac (18) does the research on where Servalan is when Avon needs to find her.
Best bit: The masterful performance from Paul Darrow as Avon. Since he first appeared in the show’s second episode, Avon has consistently been the most interesting, most entertaining, most watchable character – and a large reason for that is Darrow’s commitment to the role. He rattles off his film-noir dialogue with a Clint Eastwood intensity and scowl, yet you always feel there’s a complex, emotional man underneath the bravado. The revelation scene in this episode sees him almost broken; you can see the faith fade away from his eyes. Even Servalan looks on sympathetically.
Worst bit: Sadly, one element really doesn’t work. There are multiple scenes featuring two security guards at Servalan’s mansion. The characters are played by decent actors, David Haig and Donald Douglas, but the whole subplot is not only filler but often quite cheesy.
Review: This intense, nasty episode has some wonderful dialogue and an achingly effectively plot for Avon. It starts ‘in medias res’ (in the middle of the action) and never lets up, while there’s craft and class throughout the script and the staging. Whether it’s Paul Darrow’s leading-man performance; or one of Jacqueline Pearce’s best turns as Servalan; or the significant recurrence of cells, caves and cellars; or the fun production design that combines the architecture of an ancient house (doors, fireplaces, even skirting boards) with sci-fi trappings (monitors, computers, Servalan’s strange desk); or the POV flashbacks; or the interesting blocking; or the expressive studio lighting; or the sucker-punch ending… So much impresses, so much goes towards telling an amazing story. The best episode so far.
Ten tasteless megalomaniacs out of 10
Next episode: Sarcophagus