Blake’s 7: Assassin (1981)

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Spoiler warning: these reviews reveal plot twists.

Hearing that a killer has been hired to hunt them down, the Scorpio crew decide to find him first…

Series D, episode 7. Written by: Rod Beacham. Directed by: David Sullivan Proudfoot. Originally broadcast: 9 November 1981, BBC1.

Regulars (with running total of appearances):
* Avon (45) and the others discover that a mysterious and expensive assassin called Cancer has been mentioned on a communique of Servalan’s. Assuming that Cancer has been employed to kill them, Avon argues they should bump off Servalan before she can make the payment. So, following a clue from the communique, Avon and Vila teleport to the planet Domo and the former deliberately gets himself captured by some space pirates. He’s then placed in a cell with an elderly man called Nebrox (Richard Hurndall), who comes over all Basil Exposition and tells Avon about the slave auction they’re both due to be part of. Nebrox also recently saw someone arrive, buy a prisoner and leave – Avon reckons it must have been Cancer. At the auction, where Servalan is one of the bidders, Nebrox manages to help Avon escape. So Avon takes his new pal back to the Scorpio and the gang chase after Cancer’s fleeing ship (which handily has a painting of a crab on its hull). When they catch up and teleport aboard, Avon finds Cancer – a large, imposing man – holding a simpering woman hostage. After the assassin has been subdued, the woman, Piri, explains that Cancer bought her from the slavers for sexual purposes. Avon then lies in wait for Servalan to show up. But soon Cancer gets loose, Nebrox is found dead, and is ship is disabled. Oh no! It gets worse: Avon is then knocked unconscious and tied up. When he comes round, Piri reveals the shock plot twist that no one saw coming: *she’s* Cancer, and the large, imposing man is an actor she got from the slavers as a decoy. She tries to kill Avon with her signature weapon – a poison-delivering mechanical crab – but thankfully Tarrant and Soolin burst in and kill her.
* Vila (46) is the one who stumbles across Servalan’s message about Cancer and Domo and ‘five targets’. Later, he and Dayna take the Scorpio back to base while the others continue with this week’s plot.
* As well as Servalan (24), one of the bidders at the slave auction – which, like so many Blake’s 7 location scenes, takes place in a non-descript bit of wasteland – is played by Betty Marsden off of Carry On Camping. (Others are non-speaking white actors in various ‘ethnic’ costumes.) We’ve come a long way since the fascist psycho-drama of episode one…

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Servalan wants to buy Avon and is willing to outbid anyone – but he then scuppers her plan by escaping. Later in the episode, it’s revealed that the communique giving away her plan to hire an assassin was a plant: Servalan masterminded the whole thing, and actually ends the episode believing that Avon and Tarrant have been killed in an explosion.
* Tarrant (20) thinks Avon might be scared of Cancer – and he’s right. Tarrant later flirts with Piri, who at this point still seems to be a dippy drip of a woman.
* Dayna (20) teleports down to Domo to help with Avon’s escape. When she spies Servalan, she attempts to kill the woman who murdered her father (yes, it’s time for that plot point to be remembered!) but she fails.
* Soolin (7) has heard of Domo, the planet mentioned in Servalan’s message. Ten years earlier it was colonised by space pirates. Later, during a Die Hard section of the episode set aboard Cancer’s ship, Soolin is brilliantly cold and harsh towards the wet Piri. She’s then nearly attacked by a mechanical crab… but just as it approaches unseen, she has a eureka moment and jumps out of its reach. What has she realised? That Piri is not what she seems…
* When the initial threat is discovered, Orac (29) counsels the gang to find Cancer before he finds them.

Best bit: There’s a great sequence when our heroes are searching the ship for Cancer. It’s compelling and there’s good incidental music too.

Worst bit: Sadly, this episode has a real disparity between the quality of the location filming and the scenes recorded in the studio. The latter stuff is well paced, well lit and inventively shot. Tension and atmosphere are generated. But when the episode is outdoors, the filming style is so drab and staccato.

Review: A decent and fun episode marred by two things: the hamfisted location scenes and the spectacularly obvious plot twist, which is based on the idea that the audience won’t even consider the possibility that an assassin might be female. The characters assume Cancer is a man, and we’re meant to as well. In the plus column, Soolin has a meaningful role to play in the storytelling. A rarity.

Seven vems out of 10

Next episode: Games

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