Spoiler warning: these reviews reveal plot twists.
A few years after his encounter with a cyborg assassin from the future, John Connor faces another deadly threat…
* Arnold Schwarzenegger’s career had been tailing off alarmingly in the lead-up to this third Terminator movie. Bored perhaps of the diminishing returns of his late-90s action duds, he returned to his most notable role 19 years since his debut in the series… When this film’s T-800 arrives in the present day – we all know the time-traveller-from-the-future score by now, right? – he has the same mission as his predecessor in Terminator 2: to protect John Connor from an assassination attempt. He hunts for John and finds him just in time to save the now 20-something from another Terminator, a stern, expressionless, female-looking cyborg called a T-X. After a few major action sequences, he gets John and his friend Kate to safety, then the plot kicks into another gear at the hour mark when the T-800 reveals that Kate’s dad holds the key to Skynet taking over the world… which is about to enter a nuclear winter later that day. The cyborg wants to take John and Kate to Mexico, to avoid the fallout from the first bombs, but John argues that they need to stop the self-aware computer system Skynet from starting its attack… In his third go at this character type, Schwarzenegger – now in his mid-50s – still has the expressionless face and drone voice. But the steel and intensity from the first film have gone. So too has the character development from the second.
* In the first of many lazily sexist aspects of the character, when the T-X (played by Kristanna Loken) time-travels into the present day she lands in the shop window of an upmarket clothes store. Ha, ha – women really like clothes, right? As with the previous Terminators earlier in the series, she’s naked when he arrives – so quickly steals a passing woman’s tight-fitting leather suit. Then, when the cops pull her over for speeding, the T-X takes inspiration from a nearby Victoria’s Secret billboard and artificially enlarges her breasts. She’s also later jokingly called the Terminatrix. (It’s all a far cry from Arnie’s intimidating ‘Your clothes: given them to me’ in the 1984 movie.) The T-X’s mission differs from Arnie in film one and the T-1000 in film two. As she doesn’t know where John Connor is in this time period, she wants to murder the young people who will grow up to be his associates and allies; they’re all now innocent kids going about their lives. A cross between the metallic, battering-ram rigidity of a T-800 and the fluid, restorative nature of the T-1000, the T-X has some nifty qualities. She can analysis blood by licking it – another idea you can imagine the writers jumping to because they knew the character would be played by an attractive woman – and can remotely control other machines (such as cars). She lacks the impact of her forebears. She also doesn’t have the James Cameron-style sci-fi plausibility of the earlier bad guys, coming off more like a comic-book villain.
* John Connor is lost when we first meet him, in more ways than one. Judgment Day never happened, thanks to his and his mother’s efforts in Terminator 2, but now the grown-up John lives off the grid, drifting from job to job and having nightmares. (He’s also all alone in the world: mum Sarah died of leukaemia not long after averting the end of the world.) When he breaks into a veterinarians’ to steal some painkillers for a leg injury, the wiry and jumpy John encounters an old school friend who works there – Kate Brewster, with whom he once shared a childhood kiss. Then two Terminators show up – one out to kill him, one out to protect him. Kate is also a target because, we learn, she will one day marry John and be his closest advisor in the future war with the machines. (Yes, that’s right: it turns out that the events of the previous film have only *delayed* Judgment Day, not written it off entirely. The enigmatic empty-road metaphor that ended T2 is well and truly pissed on.) When John and Kate team up with their protector from the future, the T-800, John has to be a bit of a moron for script-exposition reasons and keep forgetting that this cyborg is not the same one he met when he was 10. But when he realises there’s a chance to stop Judgment Day (again), John smartens up and shows some of the leadership qualities we’ve always been told he has. He orders the T-800 to help him and Kate reach the Skynet central computer so they can destroy it before it launches its attack on humanity… T2’s Edward Furlong was originally signed up to reprise the role, but was going through some much-publicised drug problems, so a change was decided upon. Drafted in to replace him was Nick Stahl (who’s actually two years younger than Furlong). He gives a decent enough performance, but because the character is damaged and lonely and bitter, he can’t bring in any of the cheek and swagger that Furlong had established.
* Kate is a young woman who thinks she has a nice-enough life: a fiancé, a job, a good relationship with her loving dad. But all that comes crashing down quickly. When she’s called to the vets’ surgery where she works at 4am to deal with an anxious cat-lady, she finds John – who she recognises from her school days – hiding in the back room. He tries to take her hostage, but she disarms him with ease and locks him up while she calls the cops. However, then the T-X shows up intent on killing them both… Kate is another character initially cast with someone else, but Sophia Bush was released after a month of filming because it was deemed she looked too young. Claire Danes replaced her and gives a fairly vanilla performance.
* Kate’s boyfriend, Scott Mason (Mark Farniglietti), seems a pretty boring bloke so it’s not a huge tug on our emotions when he’s brutally killed and then impersonated by the T-X.
* Kate’s dad, Lieutenant General Robert Brewster (David Andrews), is a military bigwig at a US military base inside a mountain. He’s the programme director of Cyber Research Systems, an autonomous weapons division… In other words, Skynet – the operating system that will eventually become sentient and declare war on humanity. At the start of the story, he’s dealing with a computer virus and is urged by a colleague to use a revolutionary new AI to clear out the problem. However, Lieutenant General Brewster wants to keep ‘humans in the loop.’ When various civilian and military computer systems begin crashing, he has no option to activate Skynet… which immediately locks itself off and takes over.
* A secondary character from the first two Terminator movies, Dr Silberman (Earl Boen), gets a superfluous, silly and irritating cameo during a sequence at the tomb that supposedly houses Sarah Connor’s remains. (The T-800 reveals that she was actually cremated; the tomb is a secret weapons store.)
* In a scene cut from the finished film, Arnold Schwarzenegger played another character. Sergeant Candy is the US serviceman who’s been chosen to be the model for a new line of human-looking super soldier. In other words, the T-800s Arnie has been playing since 1984. Candy’s accent is Southern American, but it’s said they can replace that with something more neutral. Probably best this piece of continuity-woven nonsense was dropped.
Where: John moves around early in the film, appearing in various unspecified areas of America. The T-X arrives in Beverly Hills; the T-800 in the desert outside LA. After locating John and Kate, the T-800 drives them south back into the desert – intent on heading into Mexico. Then stop off at a cemetery before heading to a military research base two hours’ drive away and then ultimately the Crystal Peak instillation in the Sierra Nevada mountain range.
When: Okay, things are getting complicated now. In voiceover, John tells us that the events of Terminator 2 happened over 10 years ago. That means this film’s story is playing out two or three years into the future (its cinema release was in 2003). However, John also claims that he was 13 when he encountered the T-1000. Given that it’s been established that John was born in 1985 and Judgment Day was due in 1997, the stated age of 13 seems to be a continuity error based on the age of actor Edward Furlong, who was 13 when he played John in the second film. We’re also now in a new timeline where that Judgment Day didn’t happen, of course, which causes all kinds of logical complexities that we’d be better off ignoring. The present scenes in Terminator 3 begin during night – it’s late enough that a shopping district is deserted, but a nightclub is still open – and continues through the next day, which is the delayed Judgment Day. It’s due to kick off at 6.18pm.
I’ll be back: Given that the threat in this film looks like a woman, Arnie gives his catchphrase a twist: referring to the T-X, he says, ‘She’ll be back.’ Later, she completes the gag when she says, ‘I’m back,’ after emerging from the wreck of a crashed helicopter. Arnie also says later ‘I’m back,’ when the T-800 comes out of a reprogrammed befuddlement. Since the previous Terminator movie, Schwarzenegger had continued to treat audiences to his favourite phrase, almost like a singer wheeling out an old hit. In 1993’s Last Action Hero, a clever spoof of the type of movies that had made Arnie’s name, his character, Jack Slade, tells a young friend, ‘I’ll be back… Ha, you didn’t know I was going to say that, did you?’ The lad, Danny, who is aware of his Schwarzenegger’s fictional persona, is unimpressed: ‘That’s what you always say… Everybody waits for you to say it. It’s like your calling card.’ The phrase is quoted a couple of other times elsewhere in the film too, then appeared in 1994 comedy Junior (‘It’s nice to be back’) and the terrible sci-fi flick The 6th Day in 2000 (‘I might be back,’ Arnie says to a sales assistant. ‘Oh, you’ll be back,’ comes the knowing reply).
Review: There’s a definite drop-off of quality from the first two Terminator movies, almost inevitably because writer/director James Cameron was not involved. (He’d sold his interest in the franchise to other producers.) For one thing, there’s little intrigue in the storytelling. It’s assumed that we’ve all seen the earlier films and no attempt is made to disguise what’s going on, so everything feels very ‘surface’. Elements of goofy humour – Arnie deadpan as he puts on disco sunglasses is the worst offender – have crept in, and there’s a sense that the filmmakers have thrown in sequences and moments on the basis of ‘Wouldn’t it be fun if?’ rather than character-based scripting. Did we really need a tiresome cameo from Sarah Connor’s psychiatric doctor? Did Sarah’s will stipulate that her stash of guns should be buried in a tomb for any reason other than a director’s wish for a cool shot as Arnold Schwarzenegger carries a casket on his shoulder while firing at police officers? However, there are also undoubted plusses. Terminator 3 is a competently shot movie and is pacey enough to keep the interest. Some of the action is world-class, especially the truly great chase sequence that sees the T-X hounding our heroes in a crane-truck, which is bombastic and enormously loud and destructive yet also staged and shot clearly and precisely for maximum impact. In its second half, the film also pulls of a bravado rug-pull. During their attempt to stop Skynet, John and Kate are told that the central operating system is contained in a bunker inside a mountain in Nevada. They race there with the help of the T-800, all the while chased by the T-X. But it was a con. The mountain base doesn’t contain the means to defeat Skynet. It’s a fallout shelter designed for VIPs. John and Kate realise there was never any way to stop Judgment Day. It was about surviving it so they could run the human resistance.
Seven hands (talk to them) out of 10