For this film-by-film look at the career of Arnold Schwarzenegger, I’ve been watching his movies in a random order and jotting down a few thoughts. The Schwarzenegger Says quotations are taken from Total Recall (2012), Arnie’s brilliantly bonkers autobiography.
Watched: 10 August 2019
Format: DVD. I’d owned a copy for years, but then the week before I started this blogging process I was in Fopp – a wonderful shop near London’s Covent Garden – and upgraded to a reissue with extras and commentaries.
Seen before? Yes, several times over the last 30 years.
Review: The first film picked out of the Schwarzenegger hat is a pleasingly relevant one: sci-fi flick The Running Man may have been released in 1987, but most of the story is set in 2019… and I started the research for this odyssey in August 2019. I first saw this film on VHS as a child and have always adored it for its fast-paced, gleefully bonkers vibe. We’re in an 80s vision of a dystopian future made up of haves (corporate types, celebrities, attractive women), have-nots (slums, hobos, resistance fighters), tech-noir aesthetics and overt commercialisation.
It’s a violent, harsh and cynical plot, which sees Arnold Schwarzenegger’s ex-cop Ben Richards framed for a massacre then forced to compete on a garish TV game show that features duels-to-the-death with spandex-suited ‘stalkers’. Sadly, we must admit that Arnie is not quite the actor this kind of story requires and his character comes off as pretty facile; the James Bond-style quips also ring hallow.
But as a satire of the crassness of reality TV, the movie gets more and more depressingly insightful with every passing year. What once seemed fanciful is now only a degree or so off-truth. There’s also a lot of other kitsch pleasures in this film, such as the crazy casting choices (an ex-NFL star, a wrestler, the drummer from Fleetwood Mac) and some terrific electronic incidental music from Harold Faltermeyer. It’s rough round the edges, but so much fun.
Schwarzenegger Says: ‘The Running Man didn’t turn out as well as it should have… the film was totally screwed up by hiring a first-time director [Starsky & Hutch actor Paul Michael Glaser] and not giving him time to prepare.’
Eight court-appointed theatrical agents out of 10
Next: The Villain