Spoiler warning: these reviews reveal plot twists.
Eighteen months after Superman was revealed to the world, two local businessmen – secret vigilante Bruce Wayne and power-hungry Lex Luthor – independently decide to do something about him…
Good guys: This is a direct sequel to 2013’s Man of Steel, so returning from that film are Clark Kent/Superman (Henry Cavill), Lois Lane (Amy Adams), Perry White (Laurence Fishburne), Martha Kent (Diane Lane) and, in a dream sequence, Jonathan Kent (Kevin Costner). None of the actors is terrible, but the characters are so hollow they don’t get much to play. The headline newcomer is, of course, Bruce Wayne/Batman (Ben Affleck). He’s been fighting crime in Gotham City for 20 years, we’re told, though no one seems to have heard of his alter ego. The soulful and sombre Affleck is the one true success of the movie and the actor skillfully implies a complex life beyond the scripted scenes. At one point, Bruce bumps into and flirts with Diana Prince aka Wonder Woman (Gal Gadot), who’s over a hundred years old despite looking about 30. She’s a shadowy (ie, underwritten) presence in the story. The character is essentially just an in-film trailer for 2017’s Wonder Woman movie. We barely see her for the first 110 minutes then she takes part in the action climax. Gadot’s performance is certainly bland, but the material’s not there anyway. It’s a classic example of a movie thinking the way to make a female character strong is to have her be perfect, unflappable and never in any peril.
Bad guys: Jesse Eisenberg over-acts his wig off as an irritating and childish Lex Luthor. It feels like an actor who knows the script is garbage so is trying to lever it off the page. Lex has a very thin female PA who gets neither a personality nor much dialogue. We see the corpse of Man of Steel’s General Zod a few times. (Thankfully it’s been well preserved in the year and a half since he died.)
Other guys: Bruce’s friend/assistant is the droll Alfred (Jeremy Irons). Holly Hunter plays a Democratic Senator from Kentucky, June Finch, who’s heading up the investigation into Superman’s activities. Harry Lennix reprises his Man of Steel role as a whistle-blowing politician. The Walking Dead’s Lauren Cohan plays Bruce’s mum in flashbacks.
* The big action sequence near the start of the film. Cleverly, we begin in the timeframe of Man of Steel and see Superman and Zod’s city-bashing battle from a new point of view. Bruce Wayne leaps from a helicopter, jumps into a 4×4 and careers through Metropolis as skyscrapers fall around him. Once he’s out of the car, there’s a terrific shot of him running into a cloud of debris dust…
* Lois Lane and Perry White’s minor bickering over what sort of airline ticket she can buy for a story. (A very rare moment of naturalism, this.)
* Clark Kent meets Bruce Wayne. It’s a frosty chat at a cocktail party (“Daily Planet?” asks Bruce. “Do I own that one?”). Diana saunters past, dressed in red so she’ll pop out against the other partygoers, and there’s a nice touch when Clark can hear Bruce’s hidden earbud.
* During a post-apocalyptic dream sequence (FUCK KNOWS WHAT’S GOING ON HERE), there’s an impressive 53-second long take as a goggles-and-long-coat-wearing Batman fights dozens of bad guys.
* During a scene at the docks, we see a sign for Nicholson Terminal & Dock Company – surely a reference to Jack Nicholson and a much better Batman film.
* The build-up of tension before the explosion at the Senate hearing.
* Bruce finds a secret file on Diana. It contains a photograph of her taken in 1918 – ie, during events that will be seen in next year’s Wonder Woman movie. Star Trek actor Chris Pine is stood next to her.
* Lex pushes Lois off a skyscraper. (Add this to the list of people who fall from a great height in superhero films: Lois in Superman: The Movie and Superman IV, Gus in Superman III, the Joker in Batman, Selina in Batman Returns, Nygma’s boss in Batman Forever, Rachel in The Dark Knight, airplane passengers in Iron Man 3, Pepper Potts in Iron Man 3…)
* Batman sees the Kryptonian mutant ogre-type monster: “Oh, shit…”
* Wonder Woman shows up in her costume. Superman: “Is she with you?” Batman: “I thought she was with you.”
Review: After an opening flashback telling us – for the fourth time in eight Batman films – how Bruce Wayne was orphaned, we’re into a terrific action sequence. As the climactic fight from Man of Steel plays out above him, Bruce looks on in horror and it feels like this sequel is critiquing the earlier film’s disaster porn. In a sequence full of 9/11 imagery, Superman and Zod are bringing down skyscrapers, levelling city blocks and killing thousands of people… while new character Bruce Wayne is on the ground saving innocent lives. It seems like a comment on the shallowness of Man of Steel. It also smartly and economically sets up the Batman/Superman antagonism. However… All that work is soon wasted. A theme of vigilantism bubbles away, but never goes anywhere, while the action-heavy second half is just as guilty as Man of Steel for revelling in meaningless violence. Not only that but this film’s attempts at answering the critics of Man of Steel are laughable. As carnage begins in the city, there’s a woeful line of dialogue heard in a TV news report – “Thankfully the workday is over and the downtown core is nearly empty…” It’s petty sarcasm on the part of the filmmakers, like a child putting the least amount of effort possible into a chore. Just as risible is the ‘Martha moment’. The script spends *two hours* setting up an argument between Superman and Batman. Then every inch of that storytelling is made instantly irrelevant because the characters realise they have mothers with the same name. Seriously?! That’s your character arc?! So Bruce doesn’t care about all those deaths any more? He’s best friends with Superman now? And that’s just the most ridiculous of many flaws with the plotting… Mercenaries use branded bullets that will identify who they are… Someone in a collapsing building needs to be told to evacuate… It’s not clear if the public know who Batman is… A hotshot reporter has never heard of prominent industrialist Bruce Wayne… The US government holds an inquiry into an incident that happened in Kenya… Lex knows how to use an alien space ship to create a Middle Earth ogre… It’s a hopelessly muddled plot: all effect, no cause. And sadly there are plenty of other problems. For example, both Superman and Batman routinely *kill people*. This betrayal of the characters’ established myths is all the more saddening because Batman v Superman is part of a multi-film franchise akin to the Marvel Cinematic Universe. However, the film fails to grasp why that series has been so successful. Marvel built its shared universe carefully and gradually, and gave each hero moments to shine before merging the storylines in interesting ways. This movie, though, feels like it has YouTube ads popping up at regular intervals: a dream sequence features a nonsensical cameo from the Flash; we see CCTV footage of obscure characters who are getting solo movies soon; and the final scenes are more about sequels than closure. But the worst thing about this travesty of a blockbuster is Zack Snyder. Almost every aspect of the film – scripting, acting, staging, design – is poorly directed. There’s a tiresome reliance on slow-motion for emphasis, a gloomy, grimy look to every action scene, a cigarette-stained colour palette, meaningless camera moves, an astonishing absence of wit, an adolescent view of the world, an ADHD attitude to character, and a bloated running time. We’re living through an era of superhero blockbusters. Some are good. Some are bad. This is ugly.
Two buckets of piss out of 10