An occasional series where I write about works inspired by Bram Stoker’s 1897 novel Dracula…
These reviews reveal plot twists.
Setting: London, the modern day.
Faithful to the novel? It’s a spin-off, really. This short-lived TV series – one of ITV’s responses to the BBC’s Doctor Who – tells the story of teenager Luke Rutherford (Christian Cooke). He’s the last descendant of the famous vampire-hunter Abraham Van Helsing, who was actually a real person and not just a character in Bram Stoker’s book. Because of this lineage, Luke has a duty to ‘smite’ the various ‘half-life’ creatures (vampires, demons, harpies, etc) who live unseen in London. Luke learns all this from his American godfather, Rupert Galvin (Philip Glenister), who explains the mythology and guides him in the fight. He also introduces Luke to another person who was dramatised in Stoker’s novel: Mina Harker (a haughty, humourless Zoe Tapper), who looks about 30 but is immortal due to being infected by Count Dracula’s blood in the 1890s. She’s now a famous pianist, blind, and has a visionary sixth sense. In the first episode, Luke’s sarcy friend Ruby (Holliday Grainger) also gets caught up in proceedings and joins the team; she fancies Luke but he doesn’t realise. Later on, there’s another explicit connection to Bram Stoker when Mina’s son, Quincey, shows up. He was born near the end of the novel but is now a murderous vampire.
Best performance: Not this show’s strength, acting. The regulars can’t bring any life to the scripts, while guest stars such as Mackenzie Crook, Richard Wilson and Kevin McNally are often in League of Gentlemen-style make-up that encourages comedic playing. Philip Glenister is especially disappointing. Galvin was written as a Texan, but the actor opts for a soft, generic American accent and you can see the lack of conviction behind his eyes.
Best episode: Probably episode four, Suckers, which features some heavy connections to the book Dracula. We see flashbacks to a younger Mina during the First World War (when she deliberately turned her ill son into a vampire to save his life), while Luke is given a copy of Bram Stoker’s novel. He can’t be arsed to read it, though, so Ruby does it for him. When she reaches the final page she realises that Quincey is Mina’s son… but never mentions that another character called Quincey, who the son was named after, features in the novel from page 57 onwards.
Review: No one sets out to make a bad television series, but this is really, really crummy. It’s a British photocopy of the American TV series Buffy the Vampire Slayer, with a young hero having to juggle school with secretly fighting demonic monsters. (He also has a foreign mentor called Rupert G and a mum who doesn’t know what’s going on; can call on the help of a sexy immortal; and uses a library as a base of operations. Joss Whedon is owed royalties.) But Demons feels like a series made by people who neither understand nor have a passion for the genre. Shows as good as Buffy support their strangeness and mythologies with strong characters, genuine emotion and a balance of action, drama and humour. But here there’s never any sense of the stories or the characters or the situations existing organically. Everything feels mechanical and soulless and hackneyed. It’s all effect, no cause. (Oh, and the fight scenes are often rubbish.)
Three scenes filmed at Highgate Cemetery out of 10