Spoiler warning: these reviews reveal plot twists.
Blake, Jenna and Vila are aboard the spaceship London, en route for a prison planet, but Blake is plotting to escape. Then the London comes across another craft drifting in space…
Series A, episode 2. Written by: Terry Nation. Directed by: Pennant Roberts. Originally broadcast: 9 January 1978, BBC1.
Regulars (with running total of appearances):
* Seeing how he’s being taken to a prison planet, Blake (2) doesn’t waste any time in trying to escape. He recruits Jenna, Vila and others to a plan to seize control the ship, but it only goes half-right: some of the prisoners are caught and the sadistic crew start to murder them until Blake gives himself up. Then the London stumbles across a strange, highly sophisticated and abandoned ship in deep space. The scout party are seemingly killed, so the London’s captain orders Blake, Jenna and Avon to go aboard to see what’s happened. They manage to survive the experience and – didn’t the captain see this coming? – bugger off with the new ship.
* Jenna (2) is not surprised when the sub-commander of the London, Raiker, takes a special interest in her. She’s the only female prisoner… and he’s a prick. But when he hints that he can make her life easier in return for a favour, she whispers an insult into his ear and he slaps her. She looks back defiantly.
* Vila (2) has a key part to play in Blake’s escape plan: distract the naïve guard with magic tricks while the others are doing sneaky-sneaky stuff involving an access panel. He already feels like the comic relief.
* One of the other prisoners aboard the London is computer expert Kerr Avon (1), who initially wants to keep himself to himself but can’t resist showing off his knowledge. We’re told he nearly stole five million credits, but he ‘relied on other people’ and the plan went wrong. Blake eventually persuades him to help with his rebellion, and Avon sneaks into the ship’s access shafts to fiddle with the central computer. Paul Darrow is incredibly watchable, using an acting style that’s total bravado and confidence and commitment.
* Olag Gan (1) is another prisoner. His defining characteristic is ‘big, tall bloke’, which enables him to help the escape attempt by threatening to cut off a guard’s hand. David Jackson doesn’t have much substance to play.
Best bit: The combination of Blake and Avon is fantastic straight off the bat. The clash of the two characters’ attitudes – and the two actors’ performances – creates a fascinating dynamic. Puritanical Blake says power should be back with the honest man. ‘Have you ever met an honest man?’ quips the cynical Avon.
Worst bit: Yes, this series was made in the inflation-heavy 1970s. Yes, the BBC is a cost-effective public-service broadcaster. Yes, tastes and expectations change over time. But nevertheless the studio sets of the London are really, really crummy. Drab, flat, grey walls and bodged-looking fixtures. It’s easy to see why Blake’s 7 has so often been ridiculed for looking cheap.
Review: A fine episode that again focuses on the lead character but also expands the cast of regulars. Blake quickly becomes the leader of the prisoners, but not through violence or intimidation or resources or because his name’s in the show’s title. It’s because of his powers of persuasion. He issues orders and plans strategies, while the others – Jenna, Vila, Avon – fall into line because he’s talking sense. It’s good writing and smart acting. The London, meanwhile, is crewed by guest actors from the Tom Baker era of Doctor Who (Glyn Owen from The Power of Kroll, Norman Tipton from Underworld and Leslie Schofield from The Face of Evil). One of them, Raiker (Schofield), is clearly a nasty piece of work who considers sexual abuse then murders prisoners for sadistic fun. Just in case you were still in any doubt, this is another indicator that Blake’s 7 is not a cosy, safe sci-fi romp. It’s dangerous and cruel, and that makes it interesting and unpredictable. This is such an enjoyable episode, in fact, that you forgive it the *enormous* deus ex machina of a super-ship landing in our heroes’ laps just when they need to escape.
Eight hull punctures out of 10
Next episode: Cygnus Alpha