Spoiler warning: these reviews reveal plot twists.
Thor must defeat a foe who wants to plunge the universe into eternal darkness. His quest leads him back to Earth and old flame Jane Foster, and also means an uneasy alliance with brother Loki…
Ask a fanboy to name some all-time great bad guys in superhero films and he wouldn’t need to stop playing with himself: one hand is enough to count off Gene Hackman’s Lex Luthor, Terence Stamp’s General Zod, Jack Nicholson’s Joker, Heath Ledger’s Joker and Ian McKellan’s Magneto. But ask him to list mediocre examples and he’d need dozens of tweets’ worth of space.
For example, the antagonist in Thor: The Dark World is the spectacularly forgettable Malekith, a Dark Elf who wants revenge for a long-ago defeat and plans to take his anger out on the whole universe. He’s played by Christopher Eccleston, though from under so much prosthetic make-up and with such non-descript alien dialogue that they could have cast anyone. And he’s such a drab, lifeless villain that you wonder why Thor bothers leaving the gym to give him the time of day.
As the story gets underway, Thor (Chris Hemsworth) is preparing to take over as king of the magical realm of Asgard, but is still pining after Jane Foster, the human woman he met in his first solo film. The current king is still Thor’s dad, Odin (Anthony Hopkins); the queen is still Frigga (Rene Russo, given much more to do this time round); and the all-seeing Helmdall (Idris Elba) is still standing guard at that fancy teleport-booth place. Meanwhile, Jane (Natalie Portman, bright and likeable) is in London. She’s on an awkward date with Roy from The IT Crowd – but when her colleague Darcy (Kat Dennings, the comic relief) interrupts, Jane has to leave to investigate a weird time/space portal in a warehouse. Before you know it, she’s been transported to an alien world and infected with a strange space gas called the Aether (ie, yet another meaningless Marvel plot device). It’s bad news for her health, but it does attract Thor’s attention.
So he journeys to Earth to see how she is. She responds by slapping him and saying, “Where were you? I was right here where you left me. I was waiting and then I was crying and then I went out looking for you. You said you were coming back.” He replies that the Bifrost bridge was destroyed, the Nine Realms erupted into chaos, wars were raging, marauders were pillaging, and he had to put an end to the slaughter. “As excuses go,” she concedes, “it’s not terrible.” They then travel to Asgard, leaving Darcy and her intern Ian (Jonathan Howard) to break old friend Erik Selvig (Stellan Skarsgård) out of a psychiatric facility. Traumatised by the events of Avengers Assemble, you see, he was committed after running around Stonehenge in his birthday suit…
As with the first Thor film, there’s a clash of tones going on here: ever-so-earnest scenes on an Asgard full of ceremony and glean and people in capes… versus comedic scenes in the London of the Shard and the Jubilee Line and high-viz-jacketed Metropolitan Police officers. The contradiction is heightened by Thor himself, who switches his attitude depending on which world he’s in. He’s clearly aware of irony on Earth, yet at home talks like he’s in an am-dram Shakespeare.
The film’s not a disaster, by any means, and is very watchable at times. But sadly the cross-cutting between worlds doesn’t flow at all, the pace sags in the middle, and because the plot needs so much explaining – it’s something to do with the convergence of planets, which only happens once every five thousand years – everything feels very stodgy. Some action scenes have little meaning because we’re not experiencing them through a character’s point of view, while drama scenes are shot like television, with flat coverage and some epileptic editing. (Darcy’s first appearance, for example, lasts for 66 seconds and contains *35* separate shots. It’s just a scene of three people talking and not moving.)
Thank the Nordic gods for Loki, the bad guy from both Thor’s first movie and Avengers Assemble. We see him briefly at the beginning of the story, then the film comes alive at the hour mark when he takes centre stage. Tom Hiddleston’s performance fizzes and pops as trickster Loki has to team up with his brother. In fact, thinking about it, we’re going to need that extra hand – let’s call Loki the sixth great bad guy in a superhero film. It’s just a shame that he’s not *this film’s* bad guy. It could do with him being more than just a subplot.
Six men who’d like their shoes back out of 10
A self-indulgent appendix: The big action climax of Thor: The Dark World is both set and filmed in Greenwich, south-east London, which is about three miles from where I live. For the Dark Elves’ battle with Thor and his pals, the production team used the beautiful site of the Old Royal Naval College. It was designed by Sir Christopher Wren and built between 1696 and 1712; originally a hospital for seaman, from 1873 it became a Royal Navy training college. The Navy left in 1998, since when the buildings have been both a tourist attraction and a university campus. Over the years, many films and TV shows have shot there: once you clock its architecture and layout, you never stop spotting it. For example, I first visited the site in 2010 specifically to see a filming location from the Harrison Ford movie Patriot Games (1992). The scene of Jack Ryan foiling an IRA assassination attempt was filmed at the ORNC, which was standing in for central London. Having been there in person, I then noticed the buildings being used in dozens of other films: Octopussy (1983), Four Weddings and Funeral (1994), The Madness of King George (1994), The Avengers (1998), Lara Croft: Tomb Raider (2001), Starter for 10 (2006), The Queen (2006), The Golden Compass (2007), The Duchess (2008), Sherlock Holmes (2009), The Wolf Man (2010), Sherlock Holmes: A Game of Shadows (2011), Pirates of the Caribbean: On Stranger Tides (2011), Skyfall (2012), The Dark Knight Rises (2012), Les Miserables (2012), The Man from U.N.C.L.E. (2015), even a spoof Doctor Who episode in 1993. I mention all of this because over the last seven years I’ve been back to the ORNC hundreds of times. I go most weeks for one reason or another: to attend a free music concert in its Chapel, to see a new art exhibition in the visitors’ centre, to show it off to friends, to see the Painted Hall (perhaps the most beautiful room in Britain), for a walk round its grounds, for a pint in its pub. It’s become a very special place to me, as has Greenwich in general. So, when it came to blogging about Thor: The Dark World, I took my laptop there to write the review.