Blake’s 7: Sarcophagus (1980)

Screenshot 2018-08-05 18.33.45

Spoiler warning: these reviews reveal plot twists.

A mysterious entity uses Cally’s telepathic abilities to board and take control of the Liberator…

Series C, episode 9. Written by: Tanith Lee. Directed by: Fiona Cumming. Originally broadcast: 3 March 1980, BBC1.

Regulars (with running total of appearances):
* Cally (32) is suffering from ennui as the episode begins, and has been hiding in her bedroom. Well, I suppose her entire planet was wiped out two episodes ago: she’s bound to be a bit maudlin. When an alien ship drifts close to the Liberator, she clearly senses something telepathically but denies this when her colleagues call her on it. Cally then teleports over to the craft with Vila and Avon – they find it long-abandoned and containing a desiccated corpse. It’s not a ship; it’s a tomb. They then trigger a booby device and have to scarper pronto – but something goes wrong with the teleport and only Cally gets home. Thankfully she thinks quickly, returns to the ship and saves her friends. Yay! Panic over, Cally then falls asleep but hears a strange voice in her dreams…
* Avon (34) shows sympathy to grieving Cally (he was too busy on a revenge mission last week). After visiting the alien ship, he becomes interested in an artefact they recovered from it, which turns out to be a conduit that allows a spectre of some kind to cross over from the alien craft to the Liberator – the ghost takes Cally’s form and starts messing about with the crew’s sanity. (He couldn’t have just left the bloody thing alone, could he?) Avon is the one who’s most able to stand up to the invader and distracts her long enough to steal her ring, which she’s using to focus her physic energy. She then fades away into nothingness.
* Vila (35) is one of the first to be affected by the spectre’s bizarre influence. When the lights go out on the Liberator flight deck, he experiences hallucinations and starts performing sleight-of-hand magic tricks. (There’s appreciative applause added to the soundtrack.) He then sees the interloper: a woman who looks like Cally wearing face paint because she’s played by Jan Chappell in face paint.
* Dayna (9) operates the teleport, realises something’s wrong when she feels static electricity on the flight deck, and is knocked unconscious by some kind of energy beam.
* At the start of the episode, Tarrant (9) has identified an asteroid full of profitable minerals, but argues for postponing that mission when the alien craft hoves into view. He’s distrustful of Cally when she acts oddly and openly questions her motives, then has a row with Avon – it’s real alpha-male stuff. Later, he confronts the strange entity on the flight desk and learns she needs Cally’s life force to escape her tomb.
* Zen (29) and Orac (19) get some basic exposition to impart.

Best bit: Avon and Tarrant’s argument is a testosterone-fuelled thing of wonder. Tarrant is hot-headed, frustrated and full of angry-young-man-ism, while Avon is withering and dryly sarcastic.

Worst bit: Not a huge amount of the episode impresses, but especially tiresome is the scene near the end where Dayna explains the plot to Vila. If you need such a scene, surely there’s something wrong with your storytelling?

Review: Jan Chappell plays an additional character for the second time in three episodes. After the wet fish Zelda in Children of Auron, now she camps it up as that hoary old sci-fi cliche: an arrogant, capricious god with nebulous powers who enjoys toying with lesser life forms. Sadly, as with a lot of genre stories that can be summed up as ‘weird shit happening’, the episode can’t build any tension or jeopardy. The characters rarely know what’s going on and neither do we viewers, so the stakes are vague and the peril uninteresting. At least Fiona Cumming – who also directed the previous episode, Rumours of Death – makes sure we get some style and fun. There’s a peculiar, dialogue-less opening scene scored by whimsical music, a bizarre song sung over photographs of the Liberator model, and filmed cutaways of the regular cast acting out metaphors… It might not be much good, but you can’t claim Sarcophagus is boring.

Four intelligent menials out of 10

Next episode: Ultraworld

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