Spoiler warning: these reviews reveal plot twists.
The Scorpio crew investigate why the Federation is rebuilding so quickly and encounter a mysterious figure called Commissioner Sleer…
Series D, episode 3. Written by: Robert Holmes. Directed by: David Sullivan Proudfoot. Originally broadcast: 12 October 1981, BBC1.
Regulars (with running total of appearances):
* Avon (41) hears that the expanding Federation has annexed another planet, and wants to know why they’re making so many gains all of a sudden. So he sets course for Helotrix, one of the oldest Earth colonies. Despite his burning curiosity, however, Avon is happy to stay aboard Scorpio while his colleagues teleport down and investigate. Later, he’s stunned when Dayna and Tarrant return and tell him that while on the planet they encountered Servalan…
* Orac (25) is working on a redesign of the Scorpio that will increase its speed – and rather naively hacks into the local Federation network to glean some information. Prat.
* Dayna (16) is also concerned by how many worlds are being brought under the fascistic wing of the Federation. Once at Helotrix, she and Tarrant beam down and do some snooping. They find a population who have been pacified by drugs, allowing the Federation to take over with ease, then hook up with local resistant leader Hunda. (For the second episode running, there’s also a reference to Dayna’s skin colour – which was never an issue in the third season.)
* Vila (42) moans about the Federation expansion, fears the gang will soon be caught, laments that they no longer have a ship as fast as the Liberator, advocates fleeing, and generally spends the episode being a whiny little bitch.
* Soolin (3) is now part of the gang but spends the whole episode sitting around, occasionally saying something disposable and not actually doing anything. (The story goes that Glynis Barber is saying lines written for Cally before Jan Chappell quit the show. No wonder the latter left.)
* On Helotrix, Tarrant (16) and Dayna also meet a Federation officer who’s supplying information to the resistance and learn that the pacifying drug is being synthesised nearby. (They don’t know, however, that Officer Leitz is a double agent working for a shadowy Federation figure called Sleer.) The pair head for the refinery and find a blind man in a wheelchair. He invented the drug that ‘adapts’ people, but only did it under duress from Sleer, who’s been torturing him. Before they escape the planet, Tarrant and Dayna catch a glimpse of the elusive Sleer…
* Slave (3).
* At first, Federation bigwig Sleer is only discussed – and anyone who’s ever paid attention to how dialogue works will spot that every character refers to Sleer in an unusual way. Whenever mentioning Sleer, the person will call Sleer by Sleer’s name, pointedly avoiding any personal pronouns that would give the game away that Sleer might possible be – how’s this for a monumental plot twist? – a *woman*. A woman in a position of authority and power? Imagine! Later, someone sneaks into a local politician’s office and kills him, but the scene is shot in such a way that we don’t get a good look at the assassin. Then we hear Sleer’s voice over a radio and it’s been artificially disguised. Even though we’re told by a Federation character that Servalan (22) was killed recently, it’s not a huge surprise when it’s revealed that she’s on the planet, bumped off the politician, and is now going by the name Sleer.
Best bit: Christopher Neame’s performance as a calculating Federation officer called Colonel Quute. He obsequiously goes along with what his superior says, but you can see the snarl and sneer behind his eyes.
Worst bit: Poor Soolin. She was a secondary character in the season opener, and then crowbarred into a perfunctory scene in episode two. Now, she’s seemingly been accepted by the regular team… but between episodes. So there’s no getting-to-know-you scenes, no focus on her as a character. Surely she could have taken Tarrant or Dayna’s role in this story, which would have given more screentime, more dialogue and a chance to interact with someone meaningfully.
Review: This is a typical Robert Holmes script, in that the dialogue is peppered with telling references to unseen locations, events and people that imply a larger world without us having to know the context. The incidental music, meanwhile, often makes you think of a stiring, stiff-upper-lip war movie. Enjoyable enough stuff.
Seven red-hot filaments through his nerve centres out of 10
Next episode: Stardrive